Filming takes between two and three days depending on the project.

There’s also a half-day for a pre-interview. Were flexible with dates and are always happy to fit around you!

The OnScore platform uses extracts from copyright works to illustrate Composers’ discussion and analysis. The works are shown in a limited and relevant format (accompanied by acknowledgement) for criticism and review. All media is presented in an educational context, which is allowed under the fair dealing exception to British copyright law.

The OnScore team takes copyright very seriously and have a genuine commitment to respecting protected works and using media in a considerate way. The contributing Composer will never be asked to provide copyright footage which is not publicly available, or for which a usage agreement is not in place.

Yes, there will be a price to purchase a score breakdown (to own forever). Further down the line there will also be a subscription option.

Yes! Contributing Composers can decide between an up-front fee or a 50% share of profit made from their score-breakdown after production expenses.

Not at all. The OnScore team will be working on your behalf to produce a film that presents you and your music in their best light. Our shoots are a low pressure environment, and all of the hard work will be done by us. The interview format is such that you don’t need to constantly know everything in the moment – everything can be taken step-by-step.

Absolutely. We have no doubt that you’ll love what we create together, but it’s important that you’re happy before anything gets released. With this in mind, it is written in to our Contributing Composer Agreement that the Composer has final say over the edit.