In the first cue of the film, Paul establishes a tone for the score by reaching for some of the fundamental elements early on. Paul is keen to leave space for the film to introduce the concept and the voices, so he intentionally avoids anything too overwhelming in the music here, focussing instead on developing a sense of mystery and intrigue. The primary intention for both the music and picture here is to grab the viewer’s attention and to offer a sense of how this story might unfold.